Typography is a section of my work that I spent most of my time on. I am always concerned with how type conveys a message and am always in the search for the perfect typeface in a given situation. This is displayed in all the timepiece posters for my type class at SVA. Choosing the right typefaces depended mostly on what was common to print at the time.

Much of the work included here is not as spontaneous as the work of other graphic designers, but in leau of that the text is more readable, coherent and relevant. I also like to focus mainly on the focal points of an image and make sure to include something of heavy important so it is easy on the eye to pick out what to look at first.

In the case of film work, I like to pick a typeface that suits the message of the movie. When it comes to styles, however, I make sure that what I use is relevant to the style seen in film. It's a visual translation that I try to perfect with the more assignments I get, so hopefully as time passes my type work can become more unified with the movies they work with and as more work comes in, the more I will explore with motion graphics and typography on an animated scale.

I enjoy the process of making my own typefaces as well and have created three on my own for future usage. Faust is the only one displayed, as it is the only one currently in completed form. When the other two are ready for distribution they will be added to this gallery.